16,718 로열티 프리 오디오 트랙들 "Midi Files Containing Pitch Bend Data"에 대한

Berg's Dr. Schön tone row from Lulu on C.

Suspended 2nd Chord on C.

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

Robert Schumann, Album für die Jugend, Op. 68, Nr. 10: "Fröhlicher Landmann, von der Arbeit zurückkehrend" ("Happy Farmer, Returning from Work"), 37 seconds

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

Alexander Scriabin: opus 25.03

Characteristic rock hi-hat pattern.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

Rosanna shuffle.

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Ragtime progression in C.

Mu chord on C. Created by Hyacinth (talk) 22:54, 3 June 2009 using Sibelius 5.

Jazz triplet subdivison - MIDI file.

The most common and simple blastbeat. Two measures repeated (four measures total).

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

Two-step drum pattern associated with the older NON-Texas two-step dance pattern.

Berg's Lyric Suite Mov. VI tone row 2-P.

Berg's Lyric Suite Mov. VI tone row 1-P

Robert Schumann: Album für die Jugend, Op. 68, No. 1 "Melodie"

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

Alexander Scriabin: opus 42.06

Chord progression with a borrowed chord second: v or Gm in C major.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

Alexander Scriabin: opus 42.05

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

interval unison melodic

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

Major second on D.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

♯IIo7 as dominant substitute.

Four-four pattern with open (o) and closed (+) hi-hat (see: percussion notation).

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

a kind of chord

In a triadic context chords with omitted thirds may be considered "indeterminate" triads.

Fill with groove number 2 and crash

Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.

Purdie shuffle variant. Created by Hyacinth (talk) 16:33, 1 November 2010 using Sibelius 5.

Berg's Alwa tone row from Lulu on C.

Alexander Scriabin: opus 15.02

Hi-hat "crescendo" from closed to open leading to the ride cymbal.

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Opus posthumous 66

D-beat drum pattern 2b.

Synthesized MIDI rendering of chanson "Belle bonne sage" by Baude Cordier, early 15th century, after manuscript File:CordierColor.jpg

D-beat drum pattern 3.

D-beat drum pattern 2a.

Four measure ii-V-I progression in C with Coltrane substitution.